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Rabu, 11 Januari 2012

ofner Club 40 hollow-body, fawn colored electric

1959: Hofner Club 40  hollow-body, fawn colored electric (vintage unknown):  Although McCartney says in an interview that Lennon and Harrison both bought Club 40s in Hamburg, a photo taken in the autumn of 1959 -- months before their first Hamburg trip -- shows Lennon playing his Club 40 at Liverpool's Casbah Club.  In his book Beatles gear, Andy Babiuk cleverly researched the origins of this guitar.  Apparently, the guitar "Guaranteed Not to Split" had suffered some damage, so the day before that Casbah gig, Aunt Mimi, after considerable pleading, had taken Lennon to Hessy's music store in Liverpool and plunked down a £17 deposit on this guitar and co-signed for it.  Its total price, with hire-purchase charges, was about £30.  Lennon made sporadic payments, and at one point Hessy's account ledger notes "Son in Germany -- mother paying." He played this guitar -- his first electric -- until buying a Rickenbacker in Hamburg the following year.  He then loaned this Hofner to McCartney, who restrung it lefty and used it until Lennon sold it, in his words, "at a profit."  Where is this guitar now?  People of Hamburg, check your attics!
 

The Star Club 40 re-issue prototype, right, is authentic except for the control panel and machine heads, but production plans are on hold.  Named for the Star Club, a Hamburg venue the Beatles played, although the Club 40 was never used there. 



Note: Lennon's Club 40 is not to be confused with the Hofner Club included in the Rock and Roll Hall of Fame's 2000 Lennon exhibit; that guitar, a Club 50 model, is erroneously described as an instrument Lennon purchased in Germany in the early '60s and shared with Harrison.  More likely, Lennon picked it up not long before he gave it to son Julian in '74.
 
 
? 1960 Hofner Senator (f-hole acoustic), "Compensator" tailpiece:  An advert of the period shows this handsome guitar that boasted a "powerful, penetrating tone," and doubtless one of the Quarry Men played one, but was it Lennon?  Mal Evans' widow Lil auctioned this guitar in 1984, saying Lennon had given it to Mal.  She provided a letter to her from Harrison calling it "one of the first guitars of John's going back to Liverpool (1960-ish)."  It went for £15,500 at Sotheby's.  Six years later it was auctioned again and found a home with AEI Music in Seattle, where it is displayed in the lobby, mounted in a brass likeness of Lennon.  Although AEI promotional materials call it the "Abbey Road Studio Guitar" and say it was used in the recording of "Love Me Do," "From Me to You" and "This Boy," these claims will have to be revised, for the Senator likely never saw the inside of Abbey Road, and the songs mentioned were all recorded with Lennon's J-160E.  No photos exist of Lennon playing this guitar, and he never mentioned owning a Senator.  An "authenticating" photo given to the most recent purchaser shows Lennon with a totally different guitar (his Epiphone Casino).  One Quarry Man who did own a Senator is Ken Brown, and I asked him about it recently.  "I do not recall John actually owning one during the time I knew him," he replied.  "He may of course have acquired one at some later stage. I of course did own such a guitar."   Brown added cryptically that there was more on the subject in his autobiography, now making the rounds of publishers.   So go figure.

John Lennon Guitars


The Guitarist
Despite his status as master songwriter and cultural icon, John Lennon (1940-1980) was, first, a guitar player. Lennon, founding member of The Beatles, played rhythm formidably, as evidenced by rock-steady chording, deft figures ("I Feel Fine"), rapid-fire triplets ("All My Loving"), delicate jazz fingerings ("Til There Was You"), and fine fingerpicking ("Julia," "Look at Me"). 
Although he had played some Chuck Berry-type leads in the band's early days, Lennon gladly turned over those duties to George Harrison.  In the studio, however, he did like to keep his hand in.  Lennon's first lead on record occured on 25 February 1964, on his composition "You Can't Do That," followed a few days later by a solo on "Long Tall Sally" (a song the boys nailed in one take).  There followed solos on, among other songs, "Every Little Thing," "Get Back," "I Want You (She's So Heavy)," "Happiness Is a Warm Gun," "Yer Blues," "Honey Pie," "Ballad of John and Yoko," a slide solo on "For You Blue," and, alternating with Harrison and Paul McCartney, "The End."
Lennon did all the lead work on his first solo album, Plastic Ono Band, but on subsequent outings relied on Harrison, Eric Clapton and Jessie Ed Davis, among others. In the course of his career he traded riffs onstage with Chuck Berry, Keith Richard, Clapton and Frank Zappa.
His last piece of guitar playing, a manic lead on Yoko Ono's "Walking On Thin Ice" (12/80), showed his self-described "primitive" lead playing at its zenith.


 
The Guitars



1957: Gallotone Champion acoustic guitar.  Lennon bought this 3/4-size guitar by mail for about £10 after seeing an advertisement in Reveille magazine.  Made by the Gallo company of South Africa, it was "Guaranteed Not to Split."  Banjo player and sympathetic spirit Julia Lennon allowed her son's new guitar to be delivered to her house, rather than that of disapproving Aunt Mimi.  The lad started a band, the Black Jacks, with his mate Pete Shotton.  His mother had shown him a few five-string banjo chords, so Lennon played the guitar with the sixth string left slack. With the addition of a few more members he rechristened the group the Quarry Men, and it was that outfit that played the St. Peter's Parish Fete in Woolton, Liverpool on 6 July 1957 when McCartney entered the picture.  Lennon wailed on this beginner model until it broke the following year.  Whether the instrument -- made of laminated woods -- actually "split" is undetermined.
Long thought missing, this guitar recently turned up and was auctioned through Sotheby's. The auction house called on original Quarrymen member Rod Davis to help authenticate the guitar, and in a Liverpool Echo story he remembers that when the band played that famous fete "John took the skin off the edge of his index finger while playing," and when Davis changed one of the strings on Lennon's guitar, he noticed a spot of blood inside.   So Davis recounted that story to Sotheby's and advised them to look inside for the spot, and "although faint, it was still there." 
So where has it been all these years?   In its auction coverage, the Times of London reported that "when the Beatles became successful, Lennon left the guitar in the care of his guardian, Aunt Mimi.  After his murder, she gave it to a family friend who had a disabled son. When the boy died, it was passed to another disabled friend, who is now in her twenties. Her stepfather sold it to safeguard her future." 
The Sotheby's catalogue adds that "a percentage of the proceeds from the sale of this lot will be donated to the Olive Mount Learning Disabilities Directorate, Liverpool."   Interestingly, it also includes excerpts of an undated document accompanying Mimi Smith's donation: "Her typewritten and signed letter, sent from her home in Sandbanks, Poole, states, 'With regards to the request for items in support of your Liverpool handicapped musicians appeal, most requests I have to refuse, however, in this case I feel able to make an exception . . . The poor old guitar was in such a state when I found it I had it professionally repaired . . . I hope that through you John's possessions can bring pleasure . . .' "   The guitar, which was auctioned together with the trunk it sat in for years, now sports a brass plaque Mimi had mounted on the headstock memorializing her advice to the young, guitar-happy Lennon: "Remember, you'll never earn your living by it."
So whence this mythic instrument?  An anonymous bidder later identified as a "private collector" named Adam Sender got it for £155,000 (about $250,000).    In the fall of 2000 this guitar went on display at Boston's Museum of Fine Art.

Selasa, 10 Januari 2012

Slash Guitars

Slash Guitars

Slash began playing on an acoustic guitar but his first electric guitar was a copy of Gibson Explorer given by his grandmother. Later he added a Memphis Les Paul copy, a B.C. Rich Warlock and a B.C. Rich Mockingbird to his collection. In the mid-80s, Slash discovered Gibson Les Paul that becomes the main part of his equipment.

For studio sessions and since Appetite For Destruction, the guitar Slash has been using almost exclusively is a replica of a Les Paul Flame '59. But for some specific parts, he sometimes played with other guitars like a Flying V '59 ("Knockin' On Heaven's Door", "Estranged" and "Live And Let Die"), Explorer '58 ("Locomotive"), Stratocaster '65 ("Yesterdays", "So Fine", "Back And Forth Again" and "What Do You Want To Be"), Telecaster '52 ("Sucker Train Blues"), Gretsh ("The Last Fight").

On stage, with Guns N' Roses, Snakepit or Velvet Revolver, Slash mainly uses two Les Paul Standard '87, a Les Paul Standard '76, a Les Paul Gold Top '87 and a customized B.C. Rich Mockingbird ("You Could Be Mine", "The Alien", "Sucker Train Blues"). When he needs a double-neck guitar, he uses a Gibson EDS-1275 ("Patience", "Knockin' On Heaven's Door") or a Guild Crossroads ("Neither Can I", "Back And Forth Again", "Back To The Moment"). Finally, for most slide parts, Slash plays with a Travis Bean T-1000 ("Bad Obsession", "Rusted Heroes").

Slash Les Paul guitars
1. Les Paul Gold Top 1957 | 2. Les Paul Gold Top 1957 | 3. Les Paul 1958 Sunburst
4. Les Paul 1959 | 5. Les Paul Gold Top 1956 | 6. Les Paul 1959 | 7. Les Paul 1959

Slash Les Paul guitars
1 & 4. Slash Snakepit Les Paul | 2 & 3. Slash Les Paul Custom
5. Les Paul Corvette | 6. Les Paul 12 cordes 1990 | 7. Les Paul Custom

Slash B.C. Rich guitars
1. B.C. Rich Mockingbird | 2. B.C. Rich Mockingbird | 3. B.C. Rich Mockingbird
4. B.C. Rich Mockingbird Arch Top | 5. B.C. Rich Mockingbird | 6. B.C. Rich Mockingbird

Slash Guild, Gisbon & B.C. Rich guitars
1. B.C. Rich Doubleneck | 2. Guild Custom Crossroads | 3. Gibson EDS-1275 1967
4. Guild Custom Made "Crossroads" | 5. Guild Custom Made "Crossroads"

Slash Fender guitars
1. Fender Stratocaster | 2. Fender Telecaster 1952 | 3. Fender Telecaster
4. Fender Stratocaster 1965 | 5. Basse Fender 6 cordes 1965 | 6. Fender Stratocaster

Slash vintage guitars
1. Les Paul 1959 | 2. Telecaster 1952 | 3. Les Paul 1958 | 4. Flying V 1959
5. Les Paul 1959 | 6. Stratocaster 1965 | 7. Les Paul 1959 Replica | 8. Explorer 1958

Slash Les Paul Signature guitars
Slash Les Paul Signature guitars from 1997 to 2010